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Synopsis
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Title | Good Morning |
Realesed | May 12, 1959 |
Writer | Kōgo Noda |
Director | Yasujirō Ozu |
Country | Japan |
Companies | Shochiku |

佐田啓二
Heiichiro Fukui
久我美子
Setsuko Arita
笠智衆
Keitaro Hayashi
三宅邦子
Tamiko Hayashi
杉村春子
Kikue Haraguchi
設楽幸嗣
Minoru Hayashi
島津雅彦
Isamu Hayashi
泉京子
Midori Maruyama
殿山泰司
Pushy Man
高橋とよ
Shige Okubo
沢村貞子
Kayoko Fukui
東野英治郎
Hiroshi Tomizawa
長岡輝子
Toyoko Tomizawa
三好栄子
Mitsue Haraguchi
田中春男
Tatsuzo Haraguchi
大泉滉
Akira Maruyama
須賀不二男
Mr. Ito
佐竹明夫
The Security Bell Man
諸角啓二郎
Policeman
桜むつ子
Oden Restaurant Woman
Norikazu Takeda
Zennosuke Okubo
Yôko Chimura
Sakuma
Hajime Shirata
Kozo Harada
Masuo Fujiki
Yoshikazu Okubo
Toshio Shimamura
Oden Restaurant Owner
菅原通済
Customer
Koji Shidara

Yôko Chimura
Mr. Sakuma
Ayako Senno

田代百合子

南美江

Tomoka Hasebe
Mr. Sakuma
Koji Shirotani

Yukari Yamashina

Kazuko Mitsukawa

Kôhei Kawamura

Junko Hara

Shôsuke Oni
